Posts tagged politics
For a tiny nation like New Zealand, where plans to cut $35 million from the education budget set off national outrage earlier this year (and a backtrack from the government), the “Hobbit” concessions were difficult for many to swallow, especially since the country had already provided some $150 million in support for the three “Lord of the Rings” movies.
Now, even amid the excitement of the “Hobbit” opening, skepticism about the government’s film-centric strategy remains. And recently it has become entangled with new suspicions: that Mr. Key’s government is taking cues from America’s powerful film industry in handling a request by United States officials for the extradition of Kim Dotcom, the mogul whose given name was Kim Schmitz, so he can face charges of pirating copyrighted material.
“ ..If the internet ideal inspired the protest movements of the past year, it’s little wonder they’re struggling..”
“Now, as hundreds of iPhones capture an arrest at an OWS protest in the name of justice, no one can doubt that some of these images can and will also be singled out at some point in the name of the aesthetic.
But does the time-lag involved in moving from the streets to the museum (or to the hip blogosphere) work against their reciprocity?
When the marginal becomes the fashionable, does a genre like street photography lose its street cred? The financial crisis of the 1930s helped provoke the hard-nosed solidarity of the Photo League, both its politics and its aesthetics, whereas our own crisis is shadowed by skepticism on both fronts.
“Ever since Susan Sontag’s On Photography formalized the conventional wisdom that photography is dangerous—from the presumption of its ‘photographic’ veracity to its powers of exploitation—an acute sensitivity to photographer-subject relationships has bred within the medium an identity politics that’s not easily negotiated.
This discomfort is heightened, in conjunction with technological innovation and class stratification, by the type of camera one uses, the motives for and context of its use, the social background of both artist and subject—all can be seen as capable of compromising the radical camera ethic of the Photo League.”
“ ..Of course, we’re all familiar with the cases of overt oppression that existed, but it’s much harder to identify or even articulate the nature of the oppression that is hardwired into the culture—the sort of thing that flows quietly beneath the surface, assumptions and attitudes that we accumulate little by little over the years.”
"It’d go off the newsstands in a week if they printed the real truth … [like] a plain picture … a tramp vomiting, man, in the sewer.
And next door to the picture, Mr. Rockefeller … Just make some kind of collage, which they don’t do.
There’s no ideas at Time magazine.”
Dylan heckles Time reporter Horace Judson and rants about the magazine
I was watching Cameron Crowe’s PJ20 earlier today and there is a segment in there an excerpt from this interview is shown.
Reminded me of my previous post and how much of a struggle it is for these magazines to stay relevant and maintain some sense of integrity in today’s world. The blurry line between their sense of authority and propaganda is highlighted and amplified each time an issue come out.
Of course, Bob figured this out about 50 years ago in 1965.